Technology
David Brewster
My book ghostwriting tools in 2021

Every now and then I’m asked about the various resources I use when I’m working on ghostwriting a book. These things change occasionally, so I thought it would be a good idea to share what I am using as my main book writing tools in 2021. So here they are: from recording interviews to organising to drafting to (almost) collaborating.

My book ghostwriting tools in 2021
Work Life
David Brewster
When to avoid showing your vulnerable side

Being willing to reveal a bit of yourself, especially through a bit of self-effacing humour, will lighten your text and give your readers something to connect to.

But this blog post is not about that sort of vulnerability.

No, this time I want to remind you of two of the less inspiring but just-as-important vulnerabilities every writer faces. Those vulnerabilities are backup and data security.

I was reminded recently about this by a rare computer crash that led to me losing a small amount of work. It wasn’t important and was easily recovered, but it could have been so much worse. Imagine losing a whole book to a hard drive crash!

When to avoid showing your vulnerable side
Write a book
David Brewster
No time, money or skill? You can still get your ...

If there’s one thing you learn from spending a chunk of your career in the world of books and writing, it’s that there are a lot of great stories out there. Personal stories of remarkable success against the odds. Business stories of risk taking and growth. Political stories of intrigue and persistence.

It would be great if all these stories could be told. As Spanish philosopher George Santayana famously wrote, ‘Those who cannot remember the past are condemned to repeat it’. Ideally, the stories would be recorded in books because books last. They go onto shelves and into libraries. They won’t disappear or become unreadable with new technologies.

Unfortunately, many terrific stories are never written down. Sometimes that’s because their owners don’t want to share them. Often

No time, money or skill? You can still get your book written
Reviews
David Brewster
The ghostwriter's nightmare scenario

Ghostwriter characters don't make it into fiction very often, but when they do they always seem to find themselves in jeopardy. 

In the 2010 Roman Polanski film The Ghost Writer, Ewan McGregor plays a ghostwriter working for a former British prime minister. In the end he knows too much and ... it doesn't end well. 

In the Netflix series House of Cards, Paul Sparks plays ghostwriter Thomas Yates who, after struggling to extract a decent memoir out of the president, fails to keep his professional distance, you might say. It takes a while – three seasons in fact – but it doesn't end well for him either.

And now we have Australian writer Richard Flanagan's latest novel, First Person, in which the narrator is a ghostwriter hired to author the memoir of a notorious conman. The story was inspired by Flanagan's own experience, very early in his career, of ghostwriting the autobiography of fraudster John Friedrich in 1991.

The ghostwriter's nightmare scenario
Writing
David Brewster
The joy of a good yarn

I love that my work as a ghostwriter gives me the opportunity to help people get their stories told. What I love even more is the fact that working on other people's stories gives me a front-row seat to those yarns.

Take Around the Grounds, for instance – a book that will be released by Finch Publishing on August 1. 

For this book I've been working with former ABC radio broadcaster Peter Newlinds. Peter's story is a celebration of sport, but from the spectator's side of the fence. This perspective gives the story a level of accessibility that most sporting memoirs, written as they are by former players, can't have. Few of us have the ability to play elite sport, but all of us are more than capable of joining in from the relative safety of the stands.

Of course we don't all have access to the commentary box as Peter did…

The joy of a good yarn

re-writing

Write and publish your book in a year – Step 6: Polish

Write and publish your book in a year – Step 6: Polish

In the context of this monthly series, this post is less of a ‘how to’ and more of a call to arms.
In season five of the brilliant television drama The Wire much of the action is set inside the newsroom of a fictional version of The Baltimore Sun. On a number of occasions we see journalists and editors debating nuances of argument, word choice and grammatical accuracy. It’s a nod to the seemingly old-fashioned idea that getting the words right actually matters.

Sadly, if many of today’s newspapers are anything to go by, the pace and pressure associated with survival in the modern media environment have put paid to this dedication to accuracy. Hardly a day goes by where I don’t find at least one blatant typo in our paper – usually more – along with a missing or duplicated line or an obvious hole in an argument.

However, there is one area of writing in which ‘getting it right’ still matters: the book.

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Write and publish your book in a year – Step 5: Re-write

Write and publish your book in a year – Step 5: Re-write

Perhaps the best kept secret of the book-writing fraternity is that – contrary to the belief of many non-writers – the vast majority of finished books are not written in just one draft. Few authors, including the best of them, have a ‘gift of the gab’ that allows them to churn out golden words like the mint churns out golden coins. It doesn’t work like that.

What makes a ‘good start’ into a ‘good book’ is the re-writing. This is where you take your draft – your rough piece of clay – and shape it into something beautiful.

The task of re-writing is easier than you might think. It is so much simpler to work with a draft than it was to work with a blank page.

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Overcoming writer's block – Part one

Overcoming writer's block – Part one

Recently I was helping one of my daughters with an English essay she was writing. She’s a terrific creative writer, but can get stuck from time to time – as we all do. As it turned out, I was a fairly stuck myself on one of my own pieces of ghostwriting work. And, as so often happens, helping someone else was just what I needed to help me realise the error of my own ways.

Between the two of us, my daughter and I had become bogged down in two of the most common quagmires a writer can find themselves in.

I’ll deal with one of these forms of block this week, and the other next time.

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