Technology
David Brewster
My book ghostwriting tools in 2021

Every now and then I’m asked about the various resources I use when I’m working on ghostwriting a book. These things change occasionally, so I thought it would be a good idea to share what I am using as my main book writing tools in 2021. So here they are: from recording interviews to organising to drafting to (almost) collaborating.

My book ghostwriting tools in 2021
Work Life
David Brewster
When to avoid showing your vulnerable side

Being willing to reveal a bit of yourself, especially through a bit of self-effacing humour, will lighten your text and give your readers something to connect to.

But this blog post is not about that sort of vulnerability.

No, this time I want to remind you of two of the less inspiring but just-as-important vulnerabilities every writer faces. Those vulnerabilities are backup and data security.

I was reminded recently about this by a rare computer crash that led to me losing a small amount of work. It wasn’t important and was easily recovered, but it could have been so much worse. Imagine losing a whole book to a hard drive crash!

When to avoid showing your vulnerable side
Write a book
David Brewster
No time, money or skill? You can still get your ...

If there’s one thing you learn from spending a chunk of your career in the world of books and writing, it’s that there are a lot of great stories out there. Personal stories of remarkable success against the odds. Business stories of risk taking and growth. Political stories of intrigue and persistence.

It would be great if all these stories could be told. As Spanish philosopher George Santayana famously wrote, ‘Those who cannot remember the past are condemned to repeat it’. Ideally, the stories would be recorded in books because books last. They go onto shelves and into libraries. They won’t disappear or become unreadable with new technologies.

Unfortunately, many terrific stories are never written down. Sometimes that’s because their owners don’t want to share them. Often

No time, money or skill? You can still get your book written
Reviews
David Brewster
The ghostwriter's nightmare scenario

Ghostwriter characters don't make it into fiction very often, but when they do they always seem to find themselves in jeopardy. 

In the 2010 Roman Polanski film The Ghost Writer, Ewan McGregor plays a ghostwriter working for a former British prime minister. In the end he knows too much and ... it doesn't end well. 

In the Netflix series House of Cards, Paul Sparks plays ghostwriter Thomas Yates who, after struggling to extract a decent memoir out of the president, fails to keep his professional distance, you might say. It takes a while – three seasons in fact – but it doesn't end well for him either.

And now we have Australian writer Richard Flanagan's latest novel, First Person, in which the narrator is a ghostwriter hired to author the memoir of a notorious conman. The story was inspired by Flanagan's own experience, very early in his career, of ghostwriting the autobiography of fraudster John Friedrich in 1991.

The ghostwriter's nightmare scenario
Writing
David Brewster
The joy of a good yarn

I love that my work as a ghostwriter gives me the opportunity to help people get their stories told. What I love even more is the fact that working on other people's stories gives me a front-row seat to those yarns.

Take Around the Grounds, for instance – a book that will be released by Finch Publishing on August 1. 

For this book I've been working with former ABC radio broadcaster Peter Newlinds. Peter's story is a celebration of sport, but from the spectator's side of the fence. This perspective gives the story a level of accessibility that most sporting memoirs, written as they are by former players, can't have. Few of us have the ability to play elite sport, but all of us are more than capable of joining in from the relative safety of the stands.

Of course we don't all have access to the commentary box as Peter did…

The joy of a good yarn

writer's block

Starting a new book writing project: embracing the unknown

Starting a new book writing project: embracing the unknown

I've recently started working on a new company history project. I've conducted interviews with about 20 people and had those interviews transcribed. I've also been provided with a number of newspaper articles and other items from the archives. All up I have about 200,000 words of raw material that needs to be condensed down to about one tenth of that for the final book.

At the moment I don't have a clear idea of what the finished product is going to look like structurally. I have some major headings in mind, but what order they will be presented in is unknown. And those topics may change too. There might be a few 'ins' and 'outs' along the way.

But that's okay. What I've learnt over the years is that uncertainty at this stage of a book project, or any large creative project for that matter, is quite normal.

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How to say what you want to say in a different and interesting way

How to say what you want to say in a different and interesting way

A few years ago I stumbled on a wonderful series of pictures by artist Corinne Vionnet. Corinne has created her images by layering hundreds of virtually identical images of prominent landmarks, each individual photo taken by a tourist standing in more or less the same place. Her images are striking to look at in their own right. But they also say a lot about the repetitiveness of a lot of travel photos.

One of the biggest challenges of travel photography is avoiding the ‘postcard’ perspective and finding an original way of portraying the ‘classic’ landmarks. There is always a way: waiting for the light to change, for an interesting person to cross the scene or simply moving around to find an unorthodox angle. As a keen photographer myself, this is one of the joys of travel. It also, I like to think, makes our travel tales a little more interesting for friends and family when we get home.

Success in this game, I believe, lies in allowing yourself to look at the world through your own eyes rather than through the eyes of others – taking your own pictures rather than replicating those of others.

This challenge of originality, and the key to success, applies just as much to writing.

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A 5-step writing process anyone can use

A 5-step writing process anyone can use

“I don’t know where to start!” This must be the most common cry of the would-be writer – the person who wants (or needs) to write a blog post or an article or an essay – even a book – but is overwhelmed by the idea before they put fingers to keyboard. 

In this post I’m going to give you a magic five-step writing process to overcome this inertia. However, I offer this process on the understanding that there is no single ‘right’ way of doing this. Ultimately the only right way to write is the way that works for you. However, finding your ‘right way’ often requires a bit of trial and error and this process just might get you underway. 

The basic philosophy of this writers’ process is to start with a mess and end up with a ‘tidy’ finished product.

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Getting past 'I'm not a writer'

Getting past 'I'm not a writer'

Earlier this month we spent a fantastic weekend at the iconic Port Fairy Folk Festival (which, by the way, is much more than banjos and tin whistles). Once again I found myself in awe of the songwriter’s ability. Never mind the music: how do these people come up with such clever lyrics? I could never do that.

Or could I?

I don’t know if I’ve shared this before, but when I was at school (when telephones still had dials and were definitely not ‘smart’) writing was not my thing. I struggled with creative writing and writing analysis and never seemed to be able to find the right formula to keep my English teachers happy. In my last few years at school, English was the subject in which I achieved my lowest grades.

These days I’m a professional writer so I’m probably not meant to tell you that.

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Overcoming writer's block – Part two

Last time I wrote about overcoming perhaps the most common variety of writer’s block: mental inertia when confronted with a blank page or screen. This time I want to look another common form.

Every person involved in a creative endeavour – writers, photographers, composers, film makers, painters and so on – can probably relate to this. It happens regardless of age and regardless of experience. It is the situation in which you come up with something that you think is pure gold: a picture, a riff, a subplot, a subject idea. For writers it might be a magical metaphor, a perfect premise or simply a beautiful paragraph, sentence or even phrase.

You don’t know where this ‘gem’ came from – it feels like there was some form of devine intervention involved – but you do know that it is awesome.

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Overcoming writer's block – Part one

Overcoming writer's block – Part one

Recently I was helping one of my daughters with an English essay she was writing. She’s a terrific creative writer, but can get stuck from time to time – as we all do. As it turned out, I was a fairly stuck myself on one of my own pieces of ghostwriting work. And, as so often happens, helping someone else was just what I needed to help me realise the error of my own ways.

Between the two of us, my daughter and I had become bogged down in two of the most common quagmires a writer can find themselves in.

I’ll deal with one of these forms of block this week, and the other next time.

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